The Messier Objects : : Le recensioni di Onda. Rock. Non era mai successo, in venticinque anni, che i Notwist pubblicassero due dischi in meno di un anno. Mai nel corso della loro costante mutazione, della loro ricerca senza ostacoli n.
E mai, a dirla tutta, si era parlato cos. E tale natura amorfa contribuisce anche a giustificare il carattere eterogeneo, sia per stile che per qualit. Qualche gemma, a dire il vero, non manca: dall'introduzione ovattata per field recording, input e chitarre del primo “Object” alla miniatura melodica del sesto, passando per la trancedelia del decimo, fino ad arrivare alla quiete serena del tredicesimo e alla distesa sintetica del diciassettesimo e ultimo. Quel che manca . Come se un film potesse nascere dall'unione di diapositive sparse..
The Notwist: Close to the Glass Album Review. The Notwist do a good job of shrinking into the shadows, making it feel like they could stop doing all this and drift away without any kind of announcement or farewell note. On hooking up with Sub Pop for their first full- length album since The Devil, You + Me in 2. Notwistian. This is a band that operates without fanfare, favoring the periphery over the spotlight. Even their brightest moment. The Notwist may feel like they know how to disappear completely, but there's a weight of expectation when news of resumed activities comes through, a sense that a return to the bittersweet sentiment of . In theory the Notwist should be a big mess, with nascent thrashings in hardcore circles, attempts at bridging technology and indie- rock long before Thom Yorke tripped over a sampler, and Acher's non- voice floating along on top of it all.
Instead, like all bands who've had at least one Neon Golden moment in their careers, they have a way of making it seem remarkably uncomplicated, establishing this as a space they inhabit alone despite the legions of laptop- tapping acts with an ear for pop melody, some of whom seeped deeper into the public consciousness than the Notwist will presumably ever do at this point. Initially things seemed promising for Close to the Glass. Releasing the title track with its detuned beats underpinned by familiarly fussy electronics and Acher subsumed somewhere in the middle of it all was a smart move, resembling the kind of dubbed- out pop structures Margaret Fielder was practicing with her band Laika circa their excellent Silver Apples of the Moon. Better still was the release of . The drop in quality isn't sharp.
Neon Golden; Artista: The Notwist: Tipo album: Studio: Pubblicazione: 14 gennaio 2002(in Germania); 4 febbraio 2002 (nel Regno Unito); 25 febbraio 2003 (negli Stati. Find album reviews, stream songs, credits and award information for Neon Golden - The Notwist on AllMusic - 2002 - Neon Golden was a subtle rewiring of the
There's an acoustic campfire misfire (. It would be a little cruel to hold up the title of . Arguably Stereolab's later career produced more uneven results than their earlier work, and it feels like the Notwist are in that phase now, where change comes off as forced and unnecessary, and the bigger picture of the band's identity becomes increasingly cloudy. There was always a tendency to divert into different styles on their prior albums (at least from 1. Here, their razor- sharp sense of direction feels strangely blunted.
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